• 9 Dead Gay Guys (UK - 2002) (Dolby Digital)
• Blind Spot: Hitler's Secretary (Im toten Winkel: Hitlers Sekretärin) (Austria - 2002) (Dolby Digital)
• El bonaerense (Arg/Neth/Fr/Chile - 2002) (scope) (Dolby Digital)
• The Boy David Story (UK - 2002) (Dolby Digital)
• Bright Young Things (UK - 2003) (scope) (Dolby Digital)
• Bright Young Things (UK - 2003) (scope) (Dolby Digital)
• Calendar Girls (UK/USA - 2003) (scope) (Dolby Digital / DTS / SDDS)
•
Camp
(USA -
2003) (Dolby Digital)
• Le chignon d’Olga (Fr/Belg - 2001) (Dolby SR)
• Cinemania (USA/Ger - 2002) [UKR]
• Citizen Verdict (UK/Ger/USA - 2002) (Dolby Digital)
• Crimson Gold (طلای سرخ) (Iran - 2003) (Dolby Digital)
• Le divorce (Fr/USA - 2003) (scope) (Dolby Digital)
• Gigli (USA - 2003) (scope) (Dolby Digital / DTS / SDDS)
• The Hard Word (Aus/UK - 2002) (scope) (Dolby Digital)
• The Italian Job (USA - 2003) (scope) (Dolby Digital / DTS)
• It Runs in the Family (USA - 2002) (scope) (Dolby Digital / DTS)
• Matchstick Men (USA/UK - 2003) (scope) (Dolby Digital / DTS / SDDS)
• National Lampoon’s Blackball (see: Blackball)
• Ned Kelly (Aus/UK/USA/Fr - 2003) (scope) (Dolby Digital / DTS)
• Once Upon a Time in Mexico (USA - 2003) (scope) (Dolby Digital / DTS / SDDS)
• The Order (see: Sin Eater, The)
• Raising Victor Vargas (USA/Fr - 2003) (Dolby SR)
• The Sin Eater (The Order) (USA/Ger - 2003) (Dolby Digital / DTS)
•
Spirited
Away
(千と千尋の神隠し)
(Jpn - 2001) (Dolby EX / DTS-ES)
• Tears of the Sun (USA - 2003) (scope) (Dolby Digital / DTS / SDDS)
• This is Not a Love Song (UK - 2002) (Dolby SR)
• Underworld (UK/Ger/Hung/USA - 2003) (scope) (Dolby Digital / DTS / SDDS-8)
• White Oleander (USA - 2002) (Dolby Digital / DTS / SDDS)
• Winged Migration (Le peuple migrateur) (Fr/Ger/Sp/It/Swz - 2001) (Dolby EX / DTS-ES)
• Young Adam (UK/Fr - 2002) (scope) (Dolby Digital)
Primary sources:
Unless otherwise indicated, titles listed in this entry were first screened theatrically in the UK in Sep 2003 according to data published in Film Review 2004-05 (James Cameron-Wilson and Adam Keen, 2004).
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